{"id":1974,"date":"2022-10-26T07:42:28","date_gmt":"2022-10-26T07:42:28","guid":{"rendered":"https:\/\/acaca22.nafa.edu.sg\/indonesian-cultural-art-institute-of-bandung\/"},"modified":"2022-10-31T16:17:31","modified_gmt":"2022-10-31T16:17:31","slug":"indonesian-cultural-art-institute-of-bandung","status":"publish","type":"post","link":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/indonesian-cultural-art-institute-of-bandung\/","title":{"rendered":"\u5370\u5ea6\u5c3c\u897f\u4e9a\u4e07\u9686\u827a\u672f\u6587\u5316\u5b66\u9662"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1974\" class=\"elementor elementor-1974\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-45632290 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"45632290\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5c52c154\" data-id=\"5c52c154\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-547b7eca elementor-widget elementor-widget-text-editor\" data-id=\"547b7eca\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"\">\n\t\t\t\t<div class=\"title-list-gallery\">\n\t\t\t\t\t<h3>\u4f5c\u54c1\u96c6<\/h3>\n\t\t\t\t\t<div class=\"gallery-post-list d-grid cols-3 image-popup\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a \n\t\t\t\t\t\t\tdata-src=\"https:\/\/acaca22.nafa.edu.sg\/wp-content\/uploads\/2022\/10\/Supriatna-The-liminal-Bodies-120-cm-X-80-cm-acrilic-on-canvas-2022-scaled.jpg\" \n\t\t\t\t\t\t\tclass=\"hidden img-equal\" \n\t\t\t\t\t\t\tdata-sub-html=\"<h4>The Liminal Body \/ Supriatna<\/h4><p>The exotic body of the Wangsa (Tarawangsa dancers) is in duality in unity. On the one hand, the art of body movement is due to the aesthetic demands of the accompaniment of tarawangsa, and on the other hand, the movement of the body is to fulfill immanent demands, which at the same time occupy two spaces, namely: the ritual space and the (social) entertainment space. The beauty of the movement of the dynasties is formed with aesthetic awareness, intuitiveness, conscious threshold and subconscious. The movement of spontaneity and originality is very obvious, and remains rooted in the primodial Sundanese culture very strongly. The abiguity of body movements is in a liminal position, between devotion to the purified (Nyi Pohaci) and worldly space, this event becomes an interesting thing for visual interpretation, through the manifestation of gestures and brush strokes with all their unity, as if the event is back in front of the eyes. <\/p>\"\n\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/acaca22.nafa.edu.sg\/wp-content\/uploads\/2022\/10\/Supriatna-The-liminal-Bodies-120-cm-X-80-cm-acrilic-on-canvas-2022-scaled.jpg\">\n\t\t\t\t\t\t\t<div class=\"g_title\">The Liminal Body<\/div>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<script type=\"text\/javascript\">\n\t\t\t\t\t\t\tjQuery(document).ready(function($){\n\t\t\t\t\t\t\t\tjQuery(\".image-popup\").lightGallery({\n\t\t\t\t\t\t\t\t\tdownload:false,\n\t\t\t\t\t\t\t\t\tselector: 'a'\n\t\t\t\t\t\t\t\t});\n\t\t\t\t\t\t\t})\n\t\t\t\t\t\t<\/script>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a \n\t\t\t\t\t\t\tdata-src=\"https:\/\/acaca22.nafa.edu.sg\/wp-content\/uploads\/2022\/10\/The-Liminal-Body-120-cm-X-120-cm-acrilic-on-canvas-2022-scaled.jpg\" \n\t\t\t\t\t\t\tclass=\"hidden img-equal\" \n\t\t\t\t\t\t\tdata-sub-html=\"<h4>The Liminal Body \/ Supriatna<\/h4><p>The exotic body of the Wangsa (Tarawangsa dancers) is in duality in unity. On the one hand, the art of body movement is due to the aesthetic demands of the accompaniment of tarawangsa, and on the other hand, the movement of the body is to fulfill immanent demands, which at the same time occupy two spaces, namely: the ritual space and the (social) entertainment space. The beauty of the movement of the dynasties is formed with aesthetic awareness, intuitiveness, conscious threshold and subconscious. The movement of spontaneity and originality is very obvious, and remains rooted in the primodial Sundanese culture very strongly. The abiguity of body movements is in a liminal position, between devotion to the purified (Nyi Pohaci) and worldly space, this event becomes an interesting thing for visual interpretation, through the manifestation of gestures and brush strokes with all their unity, as if the event is back in front of the eyes. <\/p>\"\n\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/acaca22.nafa.edu.sg\/wp-content\/uploads\/2022\/10\/The-Liminal-Body-120-cm-X-120-cm-acrilic-on-canvas-2022-scaled.jpg\">\n\t\t\t\t\t\t\t<div class=\"g_title\">The Liminal Body<\/div>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<script type=\"text\/javascript\">\n\t\t\t\t\t\t\tjQuery(document).ready(function($){\n\t\t\t\t\t\t\t\tjQuery(\".image-popup\").lightGallery({\n\t\t\t\t\t\t\t\t\tdownload:false,\n\t\t\t\t\t\t\t\t\tselector: 'a'\n\t\t\t\t\t\t\t\t});\n\t\t\t\t\t\t\t})\n\t\t\t\t\t\t<\/script>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\n\n\n\n\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-13"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/posts\/1974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/comments?post=1974"}],"version-history":[{"count":0,"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/posts\/1974\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/media\/2820"}],"wp:attachment":[{"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/media?parent=1974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/categories?post=1974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acaca22.nafa.edu.sg\/zh-hans\/wp-json\/wp\/v2\/tags?post=1974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}